{"id":11194,"date":"2023-05-16T17:06:06","date_gmt":"2023-05-16T14:06:06","guid":{"rendered":"https:\/\/www.festivalandros.gr\/en\/?post_type=tribe_events&#038;p=11194"},"modified":"2023-07-06T05:48:42","modified_gmt":"2023-07-06T02:48:42","slug":"antigone-by-jean-anouilh","status":"publish","type":"tribe_events","link":"https:\/\/www.festivalandros.gr\/en\/event\/antigone-by-jean-anouilh\/","title":{"rendered":"Antigone by Jean Anouilh"},"content":{"rendered":"<p><button class=\"tickets_\"><a href=\"https:\/\/www.ticketservices.gr\/event\/festival-androu-2023-antigoni\/?lang=en\" target=\"_blank\" rel=\"noopener\"><strong>Book your tickets here<\/strong><\/a><\/button><\/p>\n<div>Directed by: Maria Protopappa<\/div>\n<div>After Anouilh\u2019s Antigone was first presented at the Greek Art Theatre, Maria Protopappa approaches the play once again, both as a director and performer, further evolving her initial vision. Undertaking to utter herself the biggest part of Antigone\u2019s words, the director attempts to comment on the signifier and signified of the heroine\u2019s existence. Does Antigone exist? To what extent is the desire\/need that gives birth to Antigone real?<\/div>\n<div><\/div>\n<div>\n<div id=\"attachment_11039\" style=\"width: 1210px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-11039\" decoding=\"async\" loading=\"lazy\" class=\"wp-image-11039 size-full\" src=\"https:\/\/www.festivalandros.gr\/wp-content\/uploads\/2023\/06\/ANTIGONI_marilena_anastasiadou_photography.jpg\" alt=\"ANTIGONI_marilena_anastasiadou_photography 2023\" width=\"1200\" height=\"750\" srcset=\"https:\/\/www.festivalandros.gr\/wp-content\/uploads\/2023\/06\/ANTIGONI_marilena_anastasiadou_photography.jpg 1200w, https:\/\/www.festivalandros.gr\/wp-content\/uploads\/2023\/06\/ANTIGONI_marilena_anastasiadou_photography-600x375.jpg 600w, https:\/\/www.festivalandros.gr\/wp-content\/uploads\/2023\/06\/ANTIGONI_marilena_anastasiadou_photography-1024x640.jpg 1024w, https:\/\/www.festivalandros.gr\/wp-content\/uploads\/2023\/06\/ANTIGONI_marilena_anastasiadou_photography-768x480.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><p id=\"caption-attachment-11039\" class=\"wp-caption-text\">\u03a6\u03c9\u03c4\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1: \u039c\u03b1\u03c1\u03b9\u03bb\u03ad\u03bd\u03b1 \u0391\u03bd\u03b1\u03c3\u03c4\u03b1\u03c3\u03b9\u03ac\u03b4\u03bf\u03c5<\/p><\/div>\n<\/div>\n<div><\/div>\n<div>The performance features actors Christos Stergioglou, Giannis Tsortekis, Dimitris Mamios, Dimitris Margaritis and Maria Protopappa. The latter takes on the play\u2019s direction as well as the role of Antigone, which she shares on stage with emerging actress Ilektra Barouta.<\/div>\n<div><\/div>\n<div>Antigone as a mythical figure has been posing a captivating riddle throughout the centuries; what urges her to confront authority? Does this confrontation justify her life\u2019s sacrifice? Are there any mitigating circumstances for Creon, whom Antigone opposes? How much does each society need the presence of an Antigone and for which reasons, except the obvious ones?<\/div>\n<div><\/div>\n<div>Ancient Greek playwright Sophocles was the first to take Antigone\u2019s myth on stage in 441 BC, while French dramatist Jean Anouilh reshaped it during World War II.<\/div>\n<div><\/div>\n<div>Creon issues a law to prohibit the burial of Antigone\u2019s brother, Polynices, because he rallied an army and attacked his brother Eteocles and the town of their ancestors. Antigone opposes this order and confronts Creon. The power of her uttered words, their potential ability to shape realities or be perceived as reality, is the main claim of this play\u2019s reading.<\/div>\n<div><\/div>\n<div>Since Anouilh\u2019s Antigone premiere in 1944, the play has been presented on theatrical stages all over the world, always sparking heated discussions. In Greece it was performed for the first time in 1946-1947 at the Greek Art Theatre (Theatro Technis) under Karolos Koun\u2019s direction, starring renowned actress Elli Lambeti. This summer the play is travelling to Andros Open-Air Theatre for a unique performance under the starry skies.<\/div>\n<div><\/div>\n<div>Director\u2019s note<\/div>\n<div>In extreme historical circumstances like the ones we live in today, which include cosmogenic changes that we CANNOT be aware of before they are complete; during these abrupt Transitions-Mutations of humankind, the framework and need for the collective ARE CRUSHING individuals and their public character. We abruptly transition to technologically and politically pinned down humans who get deprived of their public discourse, democracy and control of themselves and their lives \u2013let alone their individual freedom and privacy, since they are \u201cvoluntarily\u201d exposed with everybody, in the eyes of everybody.<\/div>\n<div><\/div>\n<div>Their value derives from the fact that the events which are supposed to have occurred at a given time in the distant past, constitute a structure that remains unchanged in the present, the past and the future (Claude L\u00e9vi-Strauss).<\/div>\n<div><\/div>\n<div>Anouilh invites his audience to reflect on the meaning of life and deny every form of compromise. His play belongs to his Pieces Noires (Black Works), which are filled with irony and sarcasm. He has found a way to laugh at misfortune: \u201cMy plays are mostly Molieresque. Thanks to Moli\u00e8re, French theatre isn\u2019t bleak. Just like soldiers at war, we laugh with our misery and terror\u201d.<\/div>\n<div><\/div>\n<div>If it were easy to decide which side is right or wrong, we wouldn\u2019t be talking about tragedy. The value of tragedy doesn\u2019t lie in the clash between good and evil or innocence and guilt, but in a conflict of moral values and political views in which it is difficult for the average person to adopt a clear stance. Pertaining to the question \u201cIs Antigone\u2019s sacrifice justified?\u201d, Sophocles\u2019 and Anouilh\u2019s plays do not give a definite and conclusive answer.<\/div>\n<div><\/div>\n<div>ARTISTIC AND PRODUCTION CREDITS<\/div>\n<div>Translation: Marios Ploritis<\/div>\n<div>Direction &#8211; Dramaturgy: Maria Protopappa<\/div>\n<div>Set &#8211; Costume: Eva Nathena<\/div>\n<div>Movement: Katerina Fotiadi<\/div>\n<div>Music: Lolek<\/div>\n<div>Lighting: Melina Mascha<\/div>\n<div>Assistants to the director: Dimitris Stavropoulos, Orestis Stavropoulos<\/div>\n<div>Assistant to the costume designer: Elsa Gogoglou<\/div>\n<div>Promo photography: Roula Revi<\/div>\n<div>Live performance photography: Marilena Anastasiadou<\/div>\n<div>Promo photography make-up artist: Sissi Petropoulou<\/div>\n<div>Promo photography jewellery: Noilence<\/div>\n<div>Performance video-trailer: Michael Mavromoustakos<\/div>\n<div>Graphic design &#8211; Poster design: Giannis Stamatopoulos<\/div>\n<div><\/div>\n<div>Communications: Anzelika Kapsabeli<\/div>\n<div>Production delivery: Kart Productions &#8211; Maria Ksanthopoulidou<\/div>\n<div><\/div>\n<div>CAST: Christos Stergioglou, Giannis Tsortekis, Dimitris Mamios, Dimitris Margaritis, Ilektra Barouta, Maria Protopappa<\/div>\n<div><\/div>\n<div>Produced by Kart Productions in co-production with Karolos Koun Art Theatre<\/div>\n<div><\/div>\n<div><strong>Video: <a href=\"https:\/\/www.youtube.com\/watch?v=Il7mliqp1ms\" target=\"_blank\" rel=\"noopener\">https:\/\/www.youtube.com\/watch?v=Il7mliqp1ms<\/a><\/strong><\/div>\n<div><\/div>\n<div>Duration: 110 minutes<\/div>\n<div><\/div>\n<div>TICKET PRE-SALE: <a href=\"http:\/\/WWW.TICKETSERVICES.GR\">WWW.TICKETSERVICES.GR<\/a><\/div>\n<div><\/div>\n<div>ADMISSION<\/div>\n<div>GENERAL ADMISSION: \u20ac20<\/div>\n<div>DISCOUNTED ADMISSION (UNIVERSITY STUDENTS, UNEMPLOYED, PEOPLE WITH DISABILITIES): \u20ac15<\/div>\n<div><\/div>\n<div>Supported by<\/div>\n<div><\/div>\n<div>The performance is subsidised by the Hellenic Ministry of Culture and Sports<\/div>\n<div><\/div>\n<div>MEDIA REVIEW QUOTES<\/div>\n<div><\/div>\n<div>\u201cAn actor of unique performative merit, Giannis Tsortekis revealed a polysemous Creon with prestige, expressive power and a little humanity and sensitivity\u2026\u201d<\/div>\n<div>Rea Grigoriou, Kathimerini<\/div>\n<div><\/div>\n<div>\u201cSignificant renditions, profound direction on the French dramatist\u2019s ironic work and a performance that dares to follow a path not necessarily fertile, but which is here rewarded by the result.\u201d<\/div>\n<div>Tonia Karaoglou, Athinorama<\/div>\n<div><\/div>\n<div>\u201cMaria Protopappa constructed a performance carefully studied in every detail, focusing on both acting and symbolism.\u201d<\/div>\n<div>Olga Sella, Athensvoice<\/div>\n<div><\/div>\n<div>\u201cA performance of exceptional dramaturgy, direction and acting, which addresses concepts such as human communication, authority, coming of age and the loss of childhood innocence. It\u2019s worthy to see it even if you\u2019re not a big theatre lover.\u201d<\/div>\n<div>Georgia Oikonomou, news247.gr<\/div>\n<div><\/div>\n<div>\u201cWith Jean Anouilh\u2019s Antigone, Maria Protopappa reaches the level of one of her generation\u2019s greatest creators.\u201d<\/div>\n<div>Giorgos Voudiklaris, \u0395\u03bbculture<\/div>\n<div><\/div>\n<div>\u201cMaria Protopappa\u2019s mature direction of Anouilh\u2019s political wit, accompanied by dynamic performances.\u201d<\/div>\n<div>Stella Charami, monopoli.gr<\/div>\n<div><\/div>\n<div>\u201cA performance that charmed and captivated me. I hope it continues its journey on stage.\u201d<\/div>\n<div>Giorgos Sarigiannis, \u03a4\u03bf \u03a4\u03ad\u03c4\u03b1\u03c1\u03c4\u03bf \u039a\u03bf\u03c5\u03b4\u03bf\u03cd\u03bd\u03b9<\/div>\n<div><\/div>\n<div>\u201cEnjoyable and captivating at once, Christos Stergioglou in the role of Prologue \u2013 Chorus.\u201d<\/div>\n<div>Ntina Karra, only theater.gr<\/div>\n<div><\/div>\n<div>\u201cThis Antigone cannot be forgotten!\u201d<\/div>\n<div>Aleksandros Stergiopoulos, gazzetta.gr<\/div>\n<div><\/div>\n<div>\u201cAnouilh\u2019s unique Antigone viewed through Maria Protopappa\u2019s distinct perspective; it was one of the most intriguing performances I\u2019ve ever seen.\u201d<\/div>\n<div>Anna Papadaki, mix grill<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Book your tickets here Directed by: Maria Protopappa After Anouilh\u2019s Antigone was first presented at the Greek Art Theatre, Maria Protopappa approaches the play once again, both as a director and performer, further evolving her initial vision. Undertaking to utter herself the biggest part of Antigone\u2019s words, the director attempts to comment on the signifier and signified of the heroine\u2019s<\/p>\n","protected":false},"author":5,"featured_media":11040,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_tribe_events_status":"","_tribe_events_status_reason":""},"tags":[],"tribe_events_cat":[245,172],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.12 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Antigone by Jean Anouilh - \u0394\u03b9\u03b5\u03b8\u03bd\u03ad\u03c2 \u03a6\u03b5\u03c3\u03c4\u03b9\u03b2\u03ac\u03bb \u0386\u03bd\u03b4\u03c1\u03bf\u03c5<\/title>\n<meta name=\"description\" content=\"Book your tickets here Directed by: Maria Protopappa After Anouilh\u2019s Antigone was first presented at the Greek Art Theatre, Maria Protopappa approaches\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.festivalandros.gr\/en\/event\/antigone-by-jean-anouilh\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Antigone by Jean Anouilh - 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